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    <section id="ElvQxi9tFr1mbHu7XG7lWJ">
      <p>Hi, I'm Dorian.</p>
      <p>I have been <a href="./" title="Make Things. Make Sense." rel="dct:references">thinking about</a>, and <a href="verso/" title="Verso" rel="dct:references">making things</a> on the internet for <span class="parenthesis" title="since 1996">over two decades</span>. The back half of this excursion has been mainly about designing information infrastructure for organizations in the <q>real world</q>&#x2014;that is, outside the tech industry. I have primarily focused on <span class="parenthesis" title="in the most literal sense of the term">not-for-profit entities</span> that have idiosyncratic needs, but perhaps not the budget to hire a conventional development team. Experience with resource-constrained organizations, from working with clients to <a href="my-work-at-the-ia-institute-an-anthology" rel="dct:references" title="My Work at the IA Institute: An Anthology">a stint on the board of the Information Architecture Institute</a>, has led me to a number of <a href="life-after-forecasting" rel="dct:references" title="Life After Forecasting">inquiries into the <em>process</em></a> of developing digital information systems, as well as <a href="ia-summit-2017" title="IA Summit 2017: Intentionally Intensional Information Architecture" rel="dct:references">the composition of the systems themselves</a>:</p>
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          <p>Until the computer came along, the only viable way to manage information was in document-sized chunks, arranged in hierarchical categories. Now that the computer is here&#x2014;and has been for a while&#x2014;we can afford much richer forms of organizing information, but don't seem to be using them nearly as much as we could. This, I suspect, has is because we lack a simple concept, the thing that makes a category a category. That concept is <dfn>intension</dfn>.</p>
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    <section id="EnXL6LjGEhJU_GQAyWjEaK">
      <h2>The Information Architecture of Hypermedia</h2>
      <p>I find <dfn>hypermedia</dfn> to be a totally new, deeply fascinating and immensely powerful media paradigm. Despite the Web's runaway success over the last 30 years, as a hypermedium it is only so-so. A sizable subset of my work involves retrofitting <span class="parenthesis" title="such as stretchtext">forgotten capabilities</span> from <span class="parenthesis" title="and in some cases, imagined">earlier</span> systems back onto the Web, for the purpose of creating more powerful and more expressive cultural artifacts.</p>
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      <h2>Compute to Communicate</h2>
      <p>While over the years I have accumulated experience with over a dozen programming languages, I mainly reserve this skill for writing <span class="parenthesis" title="i.e., where conceptual integrity is important.">essential libraries, prototypes, tools, and teachables.</span> Lately I've been making a lot of <em>toys for thinking</em>, <span class="parenthesis" title="in reverse chronological order">such as</span>:</p>
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        <li><a href="simulation-time" title="Simulation Time" rel="dct:references">Modeling the econophysics of creative work</a>,</li>
        <li><a href="the-hurrdurr-games" rel="dct:references" title="The HURRDURR Games">Quantifying the degeneracy of so-called <q>hack-a-thons</q></a>,</li>
        <li><a href="the-value-of-tailored-information-infrastructure" rel="dct:references" title="The Value of Tailored Information Infrastructure">Making a business case for custom information infrastructure</a>,</li>
        <li><a href="reality-check" title="Reality Check" rel="dct:references">Estimating the North American economy's carrying capacity for design specialists</a>.</li>
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