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    <title>Breaking My Silence on Twitter</title>
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    <meta name="description" content="I resisted for some time, but I have finally come to terms with the fact that I indeed use Twitter, and that I have things to say about it. I have also made it the landing page from my Twitter profile. The me from two years ago would surely backhand the me from today."/>
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      <p style="float: right; width: 38ex; margin: 0 3ex;"><a href="person/dorian-taylor">Hi, I'm Dorian</a>, and I <a href="what-i-do">design information systems</a>. I expect you have arrived here by way of <a rel="external" href="http://twitter.com/doriantaylor">my Twitter account</a>. You might be interested in <a href="">some things I have written</a>, mostly about the design and acquisition of <a rel="glossary" href="lexicon/knowledge-product">knowledge products</a>. Below is my obligatory composition on Twitter itself.</p>
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      <p><a rel="external" href="http://en.wikipedia.org/wiki/Cardinal_Richelieu" title="Cardinal Richelieu &#x2014; Wikipedia">Cardinal Richelieu</a> is <span class="parenthesis" title="I say purported because he is also purported to have said &quot;Never write a letter and never destroy one&quot;.">purported to have said</span> it best:</p>
      <blockquote style="font-weight: bolder">
        <p xml:lang="fr">Qu'on me donne six lignes écrites de la main du plus honnête homme, j'y trouverai de quoi le faire pendre.</p>
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      <p>Rather: <em>Given six lines written by the most honest man, I will find within them the means to have him hanged</em>. At this point, I probably have enough on me to be hanged, shot, impaled, garrotted, burned at the stake, disemboweled, flayed and drawn and quartered:</p>
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      <img class="figure" src="twitter-activity" alt="Depiction of my Twitter activity since creating an account in July 02008"/>
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        <p>Each horizontal pixel is a day beginning July 13, 02008 and ending October 31, 02009. Each vertical pixel is me <span class="parenthesis" title="dare I say it">tweeting</span>. The lighter shade is directed to someone, the darker shade is not. My daily maximum is <var title="42 directed, 15 undirected">57</var>.</p>
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      <h2>A Code of Conduct</h2>
      <p>Earlier this year I decided to move the bulk of my casual Internet chatter to Twitter, precisely <em>because</em> it is recorded for posterity. My goal was to improve my online behaviour as well as save choice nuggets that otherwise went off into limbo. It seems to have worked, on the aggregate. Before I began, however, I felt it important to establish some principles.</p>
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        <dt>Stow all complaints.</dt>
        <dd><a rel="external" href="http://www.sciencedaily.com/releases/2009/08/090812143928.htm" title="The Mind's Eye Scans Like A Spotlight: New Role Discovered For Brain Waves">There is evidence</a> that our attention behaves like a roving spotlight. <a rel="external" href="http://www.thenewatlantis.com/publications/the-myth-of-multitasking" title="The New Atlantis » The Myth of Multitasking">Multitasking is a myth</a>. If I complain about something, that is time spent <em>not</em> doing something else. Moreover, to complain publicly is to <span class="parenthesis" title="Literally pathetic. Look it up.">side-handedly solicit sympathy</span>, and I don't want to be that person. As a bonus, the object of my complaint gets free publicity. That aside, do I really want my <abbr title="World-Wide Web">Web</abbr> content legacy to consist of a bunch of <em>whining</em>?</dd>
        <dt>Keep the language clean.</dt>
        <dd>I have 140 characters to work with. Expletives are almost always noise. See the point about whining.</dd>
        <dt>Normal people are reading this.</dt>
        <dd>Since I work extensively with extremely precise language, I have a chronic habit of using it in everyday conversation. I grudgingly acknowledge Twitter as a huge aid in my ongoing journey to make my language <a rel="external" href="http://en.wikipedia.org/wiki/Politics_and_the_English_Language#Remedy_of_Six_Rules" title="Politics and the English Language &#x2014; Wikipedia">more accessible</a>.</dd>
        <dt>If it seems vacuous, it probably is.</dt>
        <dd>I do not need to pollute my stream and everybody else's with updates about meals, errands or bathroom breaks.</dd>
        <dt>This isn't an instant messaging program.</dt>
        <dd>Exchanging too many messages with someone is like yelling across a crowded room. The chart above indicates I am bad at this, but the astute will infer when I first made the chart.</dd>
        <dt>Delete nothing.</dt>
        <dd>If I <span class="parenthesis" title="or really over the Internet in general, but especially on the Web.">said it on the <abbr title="World-Wide Web">Web</abbr></span>, it exists out there <em>somewhere</em>. The Internet is a <a rel="external" href="http://www.kk.org/thetechnium/archives/2008/01/better_than_fre.php" title="The Technium: Better than Free">massive information-copying machine</a>. To pretend that data works the same way physical objects do is futile. I admit I have contravened this principle a few times, but only to fix a particularly embarrassing typo.</dd>
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      <h2>Other People</h2>
      <p>Twitter has irrefutably enabled me to interact with people on an informal basis whom I would otherwise consider inaccessible &#x2014; I just wouldn't think to contact them. The asymmetric model of interaction between people, otherwise known as <em>following</em>, is so head-smackingly basic and congruent with <a rel="external" href="http://en.wikipedia.org/wiki/Social_network" title="Social network &#x2014; Wikipedia">how real life works</a> <em>as well as</em> the <a rel="external" href="http://www.w3.org/TR/webarch/" title="Architecture of the World Wide Web, Volume One">architecture of the <abbr title="World-Wide Web">Web</abbr></a> that I strain to understand how the designers of so-called <em>social media</em> properties ever considered doing it any other way.</p>
      <p>The people I <em>follow</em> are those whom I find interesting. When they cease to be interesting, I cease to follow them. While I grant other people some artistic license, I largely hold them to the same standard of content quality as myself.</p>
      <blockquote class="note">
        <p>Incidentally, following seems like it was once more politicized than it is today. Since I began using the service, I have noticed a marked drop in the expectation of people who follow me that I do the same in return &#x2014; whether manual or automated.</p>
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      <p>I think the most significant element is that <em>yes, Dorian, you are interacting with other <strong>people</strong></em>. It is a step in the opposite direction of the otherwise <a rel="external" href="http://en.wikipedia.org/wiki/Asperger_syndrome" title="Asperger syndrome &#x2014; Wikipedia">Aspergian</a>, anonymous Internet.</p>
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      <h2>Attention Sink</h2>
      <p>The continual chatter of, in my case, hundreds of people is an endless <a href="the-distraction-account" title="The Distraction Account">source of distraction</a>, which is terrible for business. My chosen profession demands of me deep focus for <a href="introducing-the-cell" title="Introducing the Cell">hours at a time</a>. It is because of this that I still use the site, and haven't selected a program that would undoubtedly bludgeon me with constant update notifications. When trying to concentrate, <em>close the window</em> <a rel="external" href="http://radar.oreilly.com/archives/2008/02/diagnosis-email-apnea.html" title="Diagnosis: Email Apnea?">and breathe</a>.</p>
      <p>Perhaps it is its simplicity and openness that elicits so much fanfare. People can't shut up about it. Including myself, apparently.</p>
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